Mohamed Mostafa

Associate Professor

Basic Informations

C.V

Dr.Mohammad Mostafa Saleem

  • (Teache) Assistant Professor (Modern Literary Criticism).

 Program coordinator (BA) Department of Arabic Language & Literature,

 College of Arts and Sciences - Qatar

Degree

Rating

Faculty

University

Country

Date

BA

V. Good

Arts – Bani Suweif

Cairo

Egypt

1989

M.A.

The Critical Movement on Theatrical poetry of Ahmed Showki.

Excellent

Arts – Bani Suweif

Cairo

Egypt

1997

Ph.D.

The Impact of Folklore on the Egyptian Short Story’s Narrative Structure (1975-2000)

Excellent with Honor and with a recommendation to publish the thesis by the University Publishing House and exchange it among other universities

Arts – Bani Suweif

Cairo

Egypt

200 5

  • Teaching Experience: He teaches undergraduate students of Arabic language and literature in Egypt, UAE, and Qatar for more than 23 years. In tha last 10 years, He teaches the philosophy of the general requirements, and core curriculum. He has 10 years eoperience in designing Tools Rating (DTR), He also organized and supervised more than 20 workshops in strategies of education, assessment of learning outcomes and course portfolio.
  • Scholarly and Literary Productivity (Books):
    • The Story and dialect of genre, Al Dar Almasriah Alubnaniah, Cairo, 2006.
    • Poetics Narrative (co-authored), Maktabat Al Adab, Cairo, 2007.
    • The Short Story in Qatar: A Comprehensive Annotated, Descriptive and Analytical Bibliography, Compiled by Dr.Sabry Hafez & Dr.Mohammad Mostafa Saleem, Ministry of Culture, Arts and Heritage, Qatar, 2015.
    • Alkamel in teaching Arabic Language, Level 1, Dar El Ilm Lilmalayin, Beiru, Second published, 2015.
    • Alkamel in teaching Arabic Language, Level 2, Dar El Ilm Lilmalayin, Beiru, Second published, 2015.
    • Ana Albahr (stories), Al Dar Almasriah Alubnaniah, Cairo, 1996.
    • “The Arabic Novel in Qatar” (ForthcomingThe Oxford Handbook of the Arabic Novel, Ed. Wail Hassan)
    • Refereed Research:
      • The Transformation of Narrative Structures in Omani Short Stories, Central Institute of English and Foreign Languages (CIEFL), India, Jan. 2007.
      • The Narrative of Hyper-media and the New Utopians: The Manifestations of Golobalization and Post-modernism in Language and Identity, Journal of the Faculty of Arts & Humanities , University of Batna, Algeria, Number 4, November 2010
      • The narrativity of Text and the dimensions of expermintality: Short Story between the Iimitention of Reading and Mechanism of Reception, Journal of the Faculty of Arts, University of Helwan, N32, Jun 2012.
      • The Structuro of Consciousness: from Popular Culture to the Literary Text, Journal of “Alnass” University of Jijel, Algeria, Number 11, Jun 2012.
      • Research projects
        • The Role of Qatar University Core Curriculum Program in Improving Students' Academic Performance, Enhancing their Career Development, and Fulfilling Qatar National Needs. (QNRF) Qatar National Research Fund. (National Priorities Research Program) 2011.
        • The Transformation of Values and the Conflict between the “Self” and the “Other” in Qatari short Stories (QNRF) Qatar National Research Fund. (National Priorities Research Program)- 20

Master Title

Cash movement around Shawki poetic theater

Master Abstract

This letter discusses the movement of cash around Shawki Theater poetic, belong thus to what is known as (criticism of criticism) so as to ascertain the background methodology cash movement which dealt with the production of Ahmed Shawki in the field of poetic theater, thus confirming the feasibility addressed in the context of real leadership of the theater poetic phase, and then its influence in the literature that followed, and took a deep path of this art, in particular with regard to the side of the dramatic dimension in the hair, and then employ poetic rhythm to the requirements of drama, and a recent personal dramas and characterization in a disciplined technical framework.

PHD Title

The Influence of Folklore on the Narrative Structure of the Egyptian Short story (1975-2000).

PHD Abstract

This study is not concerned with tracing the elements of Folklore in the short story texts. It is mainly concerned, according to the mechanism of Narratology, with tracing the influences related to the professionality of narration or the literary depiction resulted from employing the elements of public culture stressing the development of other narrative phenomena following the inspiration stage. Accordingly, this study is divided into two parts. The first part lays a theoretical background enhancing the strategies of analysis and its validity of application in three chapters. The first handles the concept of the narrative structure of the short story and its association with the changing mechanisms of reading the narrative text through the modern narrative theories. In the second chapter, handling the fields of Folklore is associated with the concept of the creative act which is established within a Folkloric cultural code and its overlap with the literary text. The third chapter handles the Egyptian short story in the light of the literary genre accompanying the movement of literary development and variation in the types of the narrative text of the short story. The second part, concerned with tracing the fictional phenomena foregrounded by the folklore, is divided into three chapters. The first tackles the structure of the prologue and the role of folklore in making it an inciting structure which links the title with the narrated text and develops a kind of narrative contract between the narrator and the audience determining its artistic status as a field of depiction accompanied by mythical and other contexts. The second chapter deals with the fictional narrator who encompasses the folklore narrator to the extent that he became so authoritative so that the modernist details vanished in front of the authority of the narrator and his functions clearly evident in the paratext, the artificial authority, the fictional authoritative source, homodiegetic narration and oral narration told in a witty way. The third chapter handles time as extension for the told story throughout the chronological dimension of the narrated story. Then it deals with the role of the folkloric elements in creating what is so called "diegetic structures in nondiegetic texts" which reflect the chronological relationship between the narrator and the narrated story inside and outside the text creating a metanarrative going side by side with the main story of the text, interpreting part of it, answering a question or is narrated mainly for amusement or for some other reason. The study provides a bibliographic appendix of short stories in Egypt from 1975 to 2000, Lollowed by a conclusion including the results of the study.

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