Theory imagination unfounded Farabi since substantial impact on the evolution of the monetary vision in Arabic literature

It is known that imagination philosophical term taken from Plato and Aristotle from Mbageshma in psychology, and their conversation about the relationship between imagination to feel and think, Valtejel when Plato draws in self semiconductor perceived sense of things, and when Aristotle makes the owner was able to do and get excited a large number of Alofal.okan overall views philosophers of Islam in the imagination does not come out for this perception, he pointed Farabi to impact the psychological and value in rationalizing the behavior, while Ibn Sina decided to imagination emotion bow to him self in compliance consequent Anbassatha to things, and contraction as other non-deliberately and think and choose, but Ibn Rushd under control, meditate and remember, if not one of them not the other. The first appearance of the term imagination in the rhetorical research was at the hands of Abdul omnipotent Jerjani who talked about openly in his book Secrets of rhetoric, and intended to illusion and deception, as it proves the poet is he is already fixed, and claims suit no way to collect, say word con the same and show her what not see, and while Abdul omnipotent refuse entry metaphor in such imagination, because they are many in the Koran, we find Zamakhshari sees in imagination help you understand Almstbhatt in the Scriptures, and the words of the prophets Thus open Zamakhshari door anyone who has suffered from the commentators, in order to use their imagination in many meanings of the Koran, and was among those who influenced him of the commentators; oval in (lights download), and Abu Saud in (the guidance of sound mind), and al-Alusi in (the spirit of the meanings), and Al Qasimi in (the pros interpretation), and other old and modern commentators, however, they violated Zamakhshari in Aatzalyate, and carried the words of the Koran on the origin apparently, intending to do so eloquent statement of the Koran, and the strength of his style.  Then passes imagination stage is where Palanhsar, where limited in comparison Altejeala and metaphor Altejealah by Alskaki, and Razi, the Caspian, and the son of the ether which he linked to photography, but with the late seventeenth century represented a firm Alqirtagni find imagination principle cash rhetorical stable, by a firm in the exactitude of the it is an emotional process caused by the poet in the same recipient for his work poetic, so "that is the listener of the word poet Almekhel or sense or his style and system, and based on his imagination image or images get excited for the imaginable and unimaginable, or imagine anything else out edgy is leisurely to the point of extroversion or crunch ". The last thing the outgrowth of imagination in the old Arab rhetorical thought, is what it was at the upper and Sijilmassi, where he settled the term independent of the color indicates the apparent meaning to the word on the meaning of, and to be others on hand, filming, and falls beneath analogy, and metaphor, and similar, and Metaphor.